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I'm in love
lipstick on mirror, 2014, 40 x 60 cm

This work is not about love. It is about a notion, a filter that appears and masks reality. The filter is a set of add-ons projected onto the current situation — images saved from past experiences, and impressions of how someone looked, spoke, or moved. Confrontation with the facts is ignored — it may lead to a loss of joy or give rise to disappointment. The filter gradually grows, covering more and more of what is. The boundary between dream and reality becomes blurred.













I'll tell you how I don't know
stretch wrap, mirror, 2014, approx. 25 x 25 x 25 cm














Millimeter
seeds, dish, water, 2014, 20 x 20 x 2 cm

A small element, barely noticeable and seemingly irrelevant, can change the course of events. Nuances such as keys left in a different place than usual, the color of someone's shirt, the way someone pronounces a certain word, or a slip of the tongue — such factors cause everything that follows to be different.











This is right
battery, bulb in a socket, battery snap, zap-straps, 2014, approx. 5 x 4 x 5 cm

We make different decisions every day: we judge, choose, and are driven by solutions remembered from the past, which were then marked as good or bad. The conviction in the righteousness of a particular solution may have its roots in religion, politics, or be dictated by the authority of a group or organization with which one identifies. Similar notions of appropriate or inappropriate solutions are carefully stored and protected over time. The mind can continue for hours, days, or even years, going over internal schemes. It remains entangled in a loop, convinced that a solution that was right in the past would be equally valid in the present moment.











The latest news the worst the most she saw the very first he has the most talented the most efficient the fattest the most expensive old model enlightened the most fashionable the most excited the purest the most exotic our version is the best the most appropriate
air conditioner: indoor and outdoor units, 2014

Advertisements, news, and information constantly flood us, often relying on extremes, as these are perceived as the most captivating. Through absorbing and interacting with them, we become accustomed to incorporating similar extremes into our daily lives. A significant amount of energy is expended in maintaining the outermost states we've reached, all while we continue striving for more.